The Avetts new album, "I and Love and You" has been out for a few weeks now, and I drove through wet snow to see them last night at the House of Blues in Boston, so I figure it's time for a review of both.
I've been a huge fan of the Avetts for a couple years now, snatching up anything I can find that they've recorded. I've got all of their records on my iPod, and I've got all of them on heavy rotation. But the strength of the Brothers is their live shows. They've got seemingly limitless energy; are accomplished, diverse* musicians, and legitimately enjoy being on stage, feeding off a crowd's energy. It's a rare thing, I think, to really connect with a group of musicians as a part of a faceless crowd; but that's what they accomplish.
*
It's fun to watch the brothers switch instruments for nearly every song. Both of them play the drums and piano; one plays guitar and a foot-powered high-hat while the other plays banjo and a kick drum. Sometimes they even alternate verses while they're singing. Obviously they're great musicians and take pride in their craft.Throughout their existence, the Avetts have had a really unique sound in popular music, using bluegrass instruments (banjo, stand-up bass, cello) and rhythms infused with a rock, almost punk-like sensibility to create songs ranging from foot-stomping ragers to toe-tappers to heart-breaking ballads. On their last album, however, one could sense that they were moving a different direction. They began incorporating a full drum set into their percussion and the bluegrass elements were taking a backseat to the backbeat of rock and roll. All in all, though, the songs were still beautiful and fun.
On "I&L&U", the Brothers have nearly completed their progression into a full-fledged, 4-part rock band. Drums are incorporated into almost every song. Instead of banjo-driven melodies, piano plays the major role. The resultant music is not bad -- in fact, it's still miles ahead of the electronic drivel played on today's top 40 radio and the same old tired classic rock that pretends to off an alternative to the former -- but it is decidedly NOT what the Avetts cultivated. It begins to sound like well-written, well-performed variations on Beatles tunes. Again, not a bad comparison, just not what's expected from the Avetts.
I don't want to sound like some pretentious music critic pining for the "older stuff" of a formerly lesser-known band, and lambasting their popular, newer music. This is a common dynamic. At the show last night, the boys still had all the energy and power they had when I first saw them a year ago. The venue was bigger and we had some jerks in our view of the stage, but I still enjoyed the hell out of the show.
But once again, I felt just a little, tiny bit disappointed. They played nearly every song from the new album (with the exception of the titular track and one of my favorites, "Ill With Want."), and sprinkled in a few older tunes. A couple times they really let loose and we got the head-banging, foot-pounding raw energy that makes their live shows so dynamic.* And we got a few moments of heart-breaking, poignant ballads.** But these moments were a little more rare than expected. The rest was a respectable, fun rock show. Again, not a bad thing, just not the transcendance I've come to expect. Of course, this could be simply a matter of me building too lofty expectations.
*
Laundry Room; Tin Man; Wanted Man; and Talk on Indolence.**Tear Down the House; Living of Love; Left on Laura, Left on Lisa; Perfect Space and an amazing closing of the night with If It's the BeachesFor what it's worth, I'm still a huge fan. I will listen to "I and Love and You" along with all of the rest of the Avetts' music. Just know that I'm a little disappointed that I may have missed the glory days of this band, when their drive seemed a little more raw and powerful. All this is not to say that they can't recapture that... but it seems as if they've decided to move away from it.